HKB – Confoederatio Ludens

Fallstudie: Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga)

von Aurelia Brandenburg, Adrian Demleitner, Arno Görgen, Addrich Mauch und Eugen Pfister

Einleitung

Die Fallstudie von Necronom (Lunatic Software/Linel, 1991, Amiga) erschien zwar diesen März als erste Fallstudie auf unserem Blog¹, aber sie war nicht die erste, an der wir gemeinsam in unserem Projekt gearbeitet haben. Bereits ein Jahr zuvor, im März 2023 und kurz nach Beginn unseres Forschungsprojektes, haben wir uns gemeinsam ans Spielen und Analysieren von Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga) gesetzt. Das Spiel ist eine Breakout-Variante für den Amiga aus dem Jahr 1987. Es war in vielerlei Hinsicht ein erstes Kennenlernen für uns. Es war das erste Mal, dass wir gemeinsam an einem Text arbeiteten. Es war das erste Mal, dass wir gemeinsam spielten. Es war das erste Mal, dass wir vor der Herausforderung standen, wie wir uns am besten ein Amigaspiel aus den 1980er Jahren erfahrbar machen könnten. (Zu dem Zeitpunkt hatten wir noch keinen Amiga in unserem Gamelab). Nun, aller Anfang ist schwer und wir lernten aus unseren Fehlern. Unsere ersten Spielerfahrungen mit Ball Raider sammelten wir auf unseren modernen Windows PCs und MacBooks mittels des sehr zugänglichen FS-UAE Amiga Emulators. Es war eine harte Schule. Nur kurz darauf beschafften wir uns unsere Joysticks. Das Spiel erschien uns unnachgiebig schwer. Nun, das ist es auch bis zu einem gewissen Grad. Allerdings lernten wir auch, was für einen Unterschied es machte, Ball Raider über den Emulator zu spielen oder auf einem Amiga.

Continue reading Fallstudie: Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga)

Brandenburg, Aurelia / Demleitner, Adrian / Görgen, Arno / Mauch, Addrich / Pfister, Eugen. “Case Study: Necronom (Lunatic Software/Linel, 1991, Amiga)”. Confoederatio Ludens. 28.03.2024. https://doi.org/10.58079/w4dm. [↩]

CH Ludens Starts Collecting Historical Gaming Magazines

by Aurelia Brandenburg

Researching the history of digital games means, among other things, researching the discourses about games in gaming magazines. For that, the Bern Team of CH Ludens is starting a collection of physical copies of gaming magazines in German (primarily) published in the 1980s and 1990s. This post serves as a living document for this collection, and we will update the list below as we start acquiring individual magazine issues.

There also is a German version of this post which can be found here. Continue reading CH Ludens Starts Collecting Historical Gaming Magazines

CH Ludens beginnt mit der Sammlung von historischen Spielemagazinen

von Aurelia Brandenburg

Die Geschichte digitaler Spiele zu erforschen bedeutet, neben anderen Dingen, auch, die Diskurse über Spiele in Gaming Magazinen zu erforschen. Um diese Forschung zu intensivieren, will das Berner Team von CH Ludens eine (physische) Sammlung von Ausgaben von deutschsprachigen Gaming Magazinen anlegen, die (primär) in den 1980ern und 1990ern veröffentlicht wurden. Dieser Blogpost dient dabei als eine Art Living Document, das wir regelmässig entsprechend unserer aktuellen Anschaffungen aktualisieren werden.

Es gibt ausserdem auch eine englische Version dieses Posts, die hier gefunden werden kann. Continue reading CH Ludens beginnt mit der Sammlung von historischen Spielemagazinen

Confoederatio Ludens at the Games & Literature Festival in Marbach

by Eugen Pfister and Adrian Demleitner

From 28th to 30th June 2023, the German Literature Archive Marbach has organized a conference on “Games & Literature. On the literacity, research, collection, and archiving of computer games”. The idea for this conference came because, since 2019, the Literaturarchiv has been collecting not only German-language literature but also digital games if they “contain narrative structures to a high degree.”¹ In the words of the call for presentations: “The substantive reasons for this decision are numerous, but, fundamentally, computer games have long been part of our cultural memory, which must be archived appropriately and examined in relation to established cultural forms.”² Accordingly, the self-imposed goal of the conference was to discuss with international colleagues issues of collecting and archiving digital games, as well as research questions concerning the nexus between digital games and literature. Even if the claim turned out to be a little too ambitious in retrospect, a very exciting and fruitful exchange took place. Over three days, more than thirty colleagues from three continents presented their research, and we were honoured that our project was represented by four colleagues: The second day was opened by René Bauer and Beat Suter from the ZHdK with their keynote “Considerations for Archiving Games. From the Perspective of Game Design”. And on the third day, Eugen Pfister and Adrian Demleitner from HKB presented our joint historical database of games developed in the DACH region up to 2000: “Why we thought it was a good idea to build a DACH games database.”

Continue reading Confoederatio Ludens at the Games & Literature Festival in Marbach

Working with Amiga Floppy Disks in Historical Video Game Research

by Adrian Demleitner

Like most humanity scholars and historians, we work with historical materials that we compile into a corpus. How does this approach apply to researching digital-born media, such as video games designed for the Amiga computing system?

CH-Ludens Kick off. How the Sinergia came into being.

by Eugen Pfister

How it all began

Our SNSF-Sinergia project unites a dynamic team of 20 researchers across four university locations in Switzerland: The Bern Academy Of the Arts, the University of Bern, the University of Lausanne and the Zurich University of the Arts. We come from different cantons and countries as well as from different research directions and – not but – we are united by a common research interest: The study of the history of digital games in Switzerland.

It is a huge privilege that we can – and in fact are supposed to – do in our project exactly what has driven us in our individual research for years, but now as a collaborative team. Our goal is, therefore, on the one hand, to learn as much as possible from each other and find fruitful ways to synergise with our different methods and research questions. On the other hand, we are considering digital games as a cultural technique that will contribute to a better understanding of the digitalization of Swiss society throughout the past century. Our project will run from February 2023 to January 2027.

On February 2, 2023 we (that is almost all of us) met in the rooms of the HKB for the kick-off of our project. Some of us had known each other for a long time by then. These personal and professional networks proved to be essential in the genesis of the project. I had known Yannick Rochat for five years at that point and among other things we had written an essay highlighting the need for this research in Austria and Switzerland in January 2021. Together with him, we first came up with the idea of submitting a proposal for the SNSF Sinergia funding scheme. In turn, I already knew René Bauer, Mela Kocher and Beat Suter from the internationally renowned gameZ & ruleZ conference, to which they had invited me to give a talk in 2019. Our colleagues from the ZHDK probably have the most comprehensive knowledge of the history of digital games in Switzerland. René and Beat accordingly wrote a three-part essay on the topic for my blog as early as 2021. Finally, I met Tobias Hodel and Addrich Mauch at a Game Studies Community meeting at the University of Bern in February 2021. Shortly after the event, I asked them to join us. I also had the enormous luck to have Arno Görgen at my side as a colleague and partner for more than six years. Inside this constellation, we have been working on the preparations for the application since 2020.

I believe one of the great strengths of our project is the extremely strong dynamic of mutual curiosity and openness in our team, which we also emphasized in the cover letter for our application. In our regular preparation meetings, it became apparent again and again how organically our group worked together. Our research complemented each other perfectly and in doing so we were united by a common interest.