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Emulators and Fantasy Villains: Case Study on GATE (Bright Software 1991) #2

by Eugen Pfister, Aurelia Brandenburg, Adrian Demleitner, Arno Görgen, Addrich Mauch, and Kevin Negele. Additional research and editing by Corinne Hirter

GATE (Bright Software 1991 / Apple IIgs) is a Gauntlet-inspired action game that was developed by the Swiss studio Bright Software for the Apple IIgs in 1991, towards the very end of the platform’s lifespan. In this part two of our case study, we analyse the story, audio-visual aesthetics and game mechanics of the  game as a historical source, its reception and conclude our case study.

This is the second part of our two-part case study on the game GATE. You can find the first part here.

Continue reading Emulators and Fantasy Villains: Case Study on GATE (Bright Software 1991) #2

Curiosity and Computer Stores: Case Study on GATE (Bright Software 1991) #1

by Eugen Pfister, Aurelia Brandenburg, Adrian Demleitner, Arno Görgen, Addrich Mauch, and Kevin Negele. Additional research and editing by Corinne Hirter

At the end of the 1980s, four young people met in the Basel area and started developing a game called GATE for the Apple IIg in their free time. They came together partly through ice skating, a computer store and an early fascination with computers. The result was an unlikely reinterpretation of Gauntlet for the Apple IIgs, unlikely because the computer was already fourteen years old at the time of programming. The game itself even found a publisher, first in France and then in the USA, but it failed to achieve great success.

Continue reading Curiosity and Computer Stores: Case Study on GATE (Bright Software 1991) #1

What does it mean for a game to be a source?

by Tobias Winnerling

In June 2025, the CH Ludens team had the pleasure to welcome Tobias Winnerling (Heinrich Heine Universität Düsseldorf) for a guest lecture at the University of Bern as part of our yearly workshop. This year’s workshop, organized by the Bern team of CH Ludens, focused on historical source criticism and the problems and possibilities of historical sources such as games, gaming magazines, and oral history interviews, and we started with said guest lecture, titled “Digital Games, Digital Born Sources, Discourses and Dispositifs”, and with this blogpost, we are publishing the written version of the first part of this talk.

Continue reading What does it mean for a game to be a source?

From Zero to Kilo: Status report on the Bern GameLab

by Aurelia Brandenburg, Addrich Mauch, and Kevin Negele

In April 2024, the Bern Team of CH Ludens announced that we were starting to collect gaming magazines  relevant to our research as part of our GameLab, which in turn is a collaboration between the Bern Academy of the Arts and the University of Bern at the Swiss Center for Game Design Studies. Since then, over a year has passed and much has happened. So much that we want to use this opportunity to reflect on the current status of our collection, the challenges we faced in first starting it, and what we have learned from this process so far. This blog post will go over our first steps in the making of the GameLab, our current magazine and game collections and, finally, our visions for the GameLab.

Continue reading From Zero to Kilo: Status report on the Bern GameLab

Where we stand: Our scientific mid-term report

by the CH Ludens Team

Anyone who has already worked on a scientific project knows that an interim scientific report has to be written for the funding body halfway through the project. This is probably one of the less popular text genres. You are under time pressure and the number of readers is very limited. In most cases, such interim reports are probably only read by two or three employees of the funding body in order to hopefully be approved. This is actually a shame, because we realized that writing the scientific report together was extremely beneficial for our project. On the one hand, it helped us to realize how much we have already achieved and on the other, it pointed out problems (mostly concerning the communication in between four universities) that we could tackle accordingly.

Continue reading Where we stand: Our scientific mid-term report

Fallstudie: Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga)

von Aurelia Brandenburg, Adrian Demleitner, Arno Görgen, Addrich Mauch und Eugen Pfister

Einleitung

Die Fallstudie von Necronom (Lunatic Software/Linel, 1991, Amiga) erschien zwar diesen März als erste Fallstudie auf unserem Blog1, aber sie war nicht die erste, an der wir gemeinsam in unserem Projekt gearbeitet haben. Bereits ein Jahr zuvor, im März 2023 und kurz nach Beginn unseres Forschungsprojektes, haben wir uns gemeinsam ans Spielen und Analysieren von Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga) gesetzt. Das Spiel ist eine Breakout-Variante für den Amiga aus dem Jahr 1987. Es war in vielerlei Hinsicht ein erstes Kennenlernen für uns. Es war das erste Mal, dass wir gemeinsam an einem Text arbeiteten. Es war das erste Mal, dass wir gemeinsam spielten. Es war das erste Mal, dass wir vor der Herausforderung standen, wie wir uns am besten ein Amigaspiel aus den 1980er Jahren erfahrbar machen könnten. (Zu dem Zeitpunkt hatten wir noch keinen Amiga in unserem Gamelab). Nun, aller Anfang ist schwer und wir lernten aus unseren Fehlern. Unsere ersten Spielerfahrungen mit Ball Raider sammelten wir auf unseren modernen Windows PCs und MacBooks mittels des sehr zugänglichen FS-UAE Amiga Emulators. Es war eine harte Schule. Nur kurz darauf beschafften wir uns unsere Joysticks. Das Spiel erschien uns unnachgiebig schwer. Nun, das ist es auch bis zu einem gewissen Grad. Allerdings lernten wir auch, was für einen Unterschied es machte, Ball Raider über den Emulator zu spielen oder auf einem Amiga.

Continue reading Fallstudie: Ball Raider (Golden Gate Crew/Diamond Software/Robtek, 1987, Amiga)

  1. Brandenburg, Aurelia / Demleitner, Adrian / Görgen, Arno  / Mauch, Addrich / Pfister, Eugen. “Case Study: Necronom (Lunatic Software/Linel, 1991, Amiga)”. Confoederatio Ludens. 28.03.2024. https://doi.org/10.58079/w4dm. []

CH Ludens Starts Collecting Historical Gaming Magazines

by Aurelia Brandenburg

Researching the history of digital games means, among other things, researching the discourses about games in gaming magazines. For that, the Bern Team of CH Ludens is starting a collection of physical copies of gaming magazines in German (primarily) published in the 1980s and 1990s. This post serves as a living document for this collection, and we will update the list below as we start acquiring individual magazine issues.

There also is a German version of this post which can be found here. Continue reading CH Ludens Starts Collecting Historical Gaming Magazines

CH Ludens beginnt mit der Sammlung von historischen Spielemagazinen

von Aurelia Brandenburg

Die Geschichte digitaler Spiele zu erforschen bedeutet, neben anderen Dingen, auch, die Diskurse über Spiele in Gaming Magazinen zu erforschen. Um diese Forschung zu intensivieren, will das Berner Team von CH Ludens eine (physische) Sammlung von Ausgaben von deutschsprachigen Gaming Magazinen anlegen, die (primär) in den 1980ern und 1990ern veröffentlicht wurden. Dieser Blogpost dient dabei als eine Art Living Document, das wir regelmässig entsprechend unserer aktuellen Anschaffungen aktualisieren werden.

Es gibt ausserdem auch eine englische Version dieses Posts, die hier gefunden werden kann. Continue reading CH Ludens beginnt mit der Sammlung von historischen Spielemagazinen

Confoederatio Ludens at the Games & Literature Festival in Marbach

by Eugen Pfister and Adrian Demleitner

From 28th to 30th June 2023, the German Literature Archive Marbach has organized a conference on “Games & Literature. On the literacity, research, collection, and archiving of computer games”. The idea for this conference came because, since 2019, the Literaturarchiv has been collecting not only German-language literature but also digital games if they “contain narrative structures to a high degree.”1 In the words of the call for presentations: “The substantive reasons for this decision are numerous, but, fundamentally, computer games have long been part of our cultural memory, which must be archived appropriately and examined in relation to established cultural forms.”2 Accordingly, the self-imposed goal of the conference was to discuss with international colleagues issues of collecting and archiving digital games, as well as research questions concerning the nexus between digital games and literature. Even if the claim turned out to be a little too ambitious in retrospect, a very exciting and fruitful exchange took place. Over three days, more than thirty colleagues from three continents presented their research, and we were honoured that our project was represented by four colleagues: The second day was opened by René Bauer and Beat Suter from the ZHdK with their keynote “Considerations for Archiving Games. From the Perspective of Game Design”. And on the third day, Eugen Pfister and Adrian Demleitner from HKB presented our joint historical database of games developed in the DACH region up to 2000: “Why we thought it was a good idea to build a DACH games database.”

Continue reading Confoederatio Ludens at the Games & Literature Festival in Marbach

  1. https://www.spiegel.de/netzwelt/games/deutsches-literaturarchiv-marbach-sammelt-kuenftig-auch-computerspiele-a-1255563.html []
  2. https://www.dla-marbach.de/forschung/verbund-marbach-weimar-wolfenbuettel/tagung-literature-games/ []

Working with Amiga Floppy Disks in Historical Video Game Research

by Adrian Demleitner

Like most humanity scholars and historians, we work with historical materials that we compile into a corpus. How does this approach apply to researching digital-born media, such as video games designed for the Amiga computing system?

Continue reading Working with Amiga Floppy Disks in Historical Video Game Research