Dataset: German Games Journalists 1980-2000

by Aurelia Brandenburg

Working with early gaming magazines as a source often poses a variety of problems. One can be the accessibility both of magazine issues as objects as well as PDFs, another how to deal with nostalgic biases, and last, but not least, it can also be difficult to grasp who the people making these magazines and pioneering games journalism as a field actually were. Both in German games journalism and elsewhere, there often are a couple of names which always make it into any list of examples, but these names actually represent a small sample of all people involved. People like Heinrich Lenhardt, Manfred Kleimann, Michael Labiner, and more were influential in the way German games journalism in the 1980s and 1990s began and evolved over time. What has been missing for me, ever since I started researching these magazines, was a list that recorded any editor/writer or even the whole staff involved and that would allow analysing dynamics within the field as a whole between 1980 and 2000. Who were the people writing for these magazines? How long did they work there? And the maybe most obvious question from a Gender Studies perspective: How high – or rather: how low – was the quota of women involved, and how did it evolve in the case of which magazine?

Continue reading Dataset: German Games Journalists 1980-2000

LINEL – a Swiss Game Publisher 4: The Publishing Business

by Beat Suter

LINEL – a Swiss Game Publisher:
Part 1 – A comprehensive list of LINEL’S games
Part 2 – Collaborations and unreleased games
Part 3 – People and Work at LINEL
Part 4 – The Publishing Business

The following text originally appeared here.

LINEL was a software developer and publisher based in Switzerland. The label was active from 1987 to 1995. Part 1 of this essay established a complete list of all games that were published and distributed by the Swiss company LINEL. Part 2 pieces together LINEL’s international collaborations with other publishers and developers and uncovers the games that were never released. Part 3 takes a closer look at founder Markus Grimmer and the developers, studios, and distributors Grimmer’s LINEL worked with in those years.

Part 4 will focus on the publishing business with the physical production of the commercial games, distribution and marketing strategies and communication efforts by LINEL.

Continue reading LINEL – a Swiss Game Publisher 4: The Publishing Business

LINEL – a Swiss Game Publisher 3: From Eureka! to the Neverending Story – People and Work at LINEL

by Beat Suter

LINEL – Swiss Game Publisher:
Part 1 – A comprehensive list of LINEL’S games
Part 2 – Collaborations and unreleased games
Part 3 – People and Work at LINEL
Part 4 – Publishing and Marketing (expected)

The following text originally appeared here. 

LINEL was a software developer and game publisher based in Switzerland. The label was active from 1987 to 1995. Part 1 of this essay established a complete list of all games that were published and distributed by the Swiss company LINEL. Part 2 pieces together LINEL’s international collaborations with other publishers and developers and uncovers the games that were never released. Part 3 takes a closer look at founder Markus Grimmer and the developers, studios, and distributors Grimmer’s LINEL worked with in those years.

Continue reading LINEL – a Swiss Game Publisher 3: From Eureka! to the Neverending Story – People and Work at LINEL

LINEL – a Swiss Game Publisher 2: Collaborations and Unreleased Games

by Beat Suter

LINEL – a Swiss Game Publisher:
Part 1 – A comprehensive list of LINEL’S games
Part 2 – Collaborations and unreleased games
Part 3 – Working for LINEL – is in progress

The following text originally appeared here. (First published on CH Ludens on 19.10.2023, now in a new, significally extended version from 10.06.2024.)

LINEL was a software developer and publisher based in Switzerland. The label was active from 1987 to 1995. Part 1 of this essay tried to establish a complete list of all games that were published and distributed by the Swiss company LINEL. Part 2 pieces together LINEL’s international collaborations with other publishers and developers and uncovers the games that were never released.

Continue reading LINEL – a Swiss Game Publisher 2: Collaborations and Unreleased Games

LINEL – a Swiss Game Publisher 1: A complete list of LINEL’s games

by Beat Suter

LINEL – Swiss Game Publisher:
Part 1 – A comprehensive list of LINEL’S games
Part 2 – Collaborations and unreleased games
Part 3 – Working for LINEL – is in progress

The following text originally appeared here. (First published on CH Ludens on 11.10.2023, now in a new, significally extended version from 29.05.2024.)

LINEL was a software developer and publisher based in Switzerland. The label was active from 1987 to 1995. Part 1 of this essay tries to establish a complete list of all games that were published and distributed by the Swiss company LINEL.

Continue reading LINEL – a Swiss Game Publisher 1: A complete list of LINEL’s games

“The Feel of Sweaty Fingers” – The CH LUDENS Team’s First Memories of Digital Games

by the CH Ludens Team

How did we as scientists become what we are today? Where does our interest in digital games come from? Join us on a short autobiographical journey to the ludic beginnings of the CH LUDENS team.

Continue reading “The Feel of Sweaty Fingers” – The CH LUDENS Team’s First Memories of Digital Games

The “Computer” exhibition of Lausanne. Part 5: When video games are no event.

par Pierre-Yves Hurel


Context : This paper is part of a dossier about the “Computer” exhibition, taking place in Lausanne 1978-2004.  

  • In the first part (link), I presented my methodological choices, the media corpus, and the main periods of  the “Computer” exhibition.
  • In the second part (link), I have shown to what extent the show became part of a regional rivalry.
  • In the third part (link), I listed the companies attending the “Computer” fair and showed its clientele.
  • In the fourth part (link), I showed the deep ambivalence of the targeted audience and the slow intrusion of cultural aspects in the exhibition.
  • In this fifth part, I will be studying the place that video games occupied at the fair.

As we’ve seen in my previous articles, video games were not exactly in the focus of attention of the “Computer” exhibition in Lausanne. At a first cursory glance, you might even think they were missing completely. And yet, on closer inspection the show does seem to have been, somewhat despite itself, a moment of dissemination for video games in French-speaking Switzerland. Continue reading The “Computer” exhibition of Lausanne. Part 5: When video games are no event.

CH Ludens Starts Collecting Historical Gaming Magazines

by Aurelia Brandenburg

Researching the history of digital games means, among other things, researching the discourses about games in gaming magazines. For that, the Bern Team of CH Ludens is starting a collection of physical copies of gaming magazines in German (primarily) published in the 1980s and 1990s. This post serves as a living document for this collection, and we will update the list below as we start acquiring individual magazine issues.

There also is a German version of this post which can be found here. Continue reading CH Ludens Starts Collecting Historical Gaming Magazines

Case Study: Necronom (Lunatic Software/Linel, 1991, Amiga)

by Aurelia Brandenburg, Adrian Demleitner, Arno Görgen, Addrich Mauch, and Eugen Pfister

Monsters, space, and guns all wrapped up in a shoot-em-up – Necronom, published by Linel in 1991, first got high praises in 1990, but then never took off the way first reports in the press anticipated. With this case study, our team tried to trace the game’s development, its strange course of reception and its contents itself.

Continue reading Case Study: Necronom (Lunatic Software/Linel, 1991, Amiga)

The “Computer” exhibition of Lausanne. Part 4: On the margins of “Computer”: cultural production

by Pierre-Yves Hurel


Context : This paper is part of a dossier about “Computer” exhibition.

  • In the first part (link), I detailed my methodological choices, presented the corpus of newpsaper sources and a chronology of the “Computer” exhibition.
  • In the second part (link), I have shown to what extent show was integrated into a context of regional rivalry
  • In the third part (link), I listed the companies attending “Computer” and introduce the clientele.
  • In this fourth article, I’m considering the ambivalence of targeting the show’s audience and the slow intrusion of cultural artefacts in the exhibition.
  • More articles will be published over the coming week

Who was Lausanne’s Computer trade show targeted audience? If you’ve read the previous articles, the answer seems obvious: local swiss professionals. All the more surprising is the emphasis with which the organizers had to repeat that their show was only for professionals, because crowds of enthusiasts and interested families had to be explicitly rejected for years… before a belated about-turn. Continue reading The “Computer” exhibition of Lausanne. Part 4: On the margins of “Computer”: cultural production

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